But then, we have essentially already read these scenes in Rowling’s prose, and Cursed Child is all about ingenious experiments in the unseen. One wonders what Rowling would have done had Cursed Child manifested itself in her home medium, with her inimitable mode of description guiding readers rather than leaving them to fill in the acting blanks in their vision of how this piece operates on a stage (which, to be sure, is an adventure that Rowling, Thorne, Tiffany, and rights-holders Warner Bros.
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